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An Arts Fuse regular feature: the arts on stamps of the world.
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The show may be a case of inside baseball, appealing to a small group of art history majors and museum lovers. But it offers a fascinating look at innovation at one of the country’s most revered, and most traditional, colleges.
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Though John Pizzarelli has written and recorded his own material, his specialty has always been embracing and interpreting the tunes of the giants and legends and making them his own.
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Ludwig Hohl belongs in the line of such lucidly contentious thinkers as Karl Kraus, Pascal, and Lichtenberg, commentators whose writing oscillates between the traditions of literature and philosophy.
Read MoreIf you can’t make the Montreal International Jazz Festival this time, put it on your bucket list.
Read MoreSimon Garfield’s tour of fonts, Just My Type, is a rollicking, sometimes snarky social history of the design decisions behind lettering from Gutenberg to the iPad.
Read MoreThose assembled at Boston’s Jordan Hall were thoroughly prepared to be enraptured.
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The artist’s focus on brutality is present in the show, but the anger and homoeroticism that infused so much of his work are missing.
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A new release from the BBC Scottish Symphony Orchestra and Timothy Redmond showcases music from four very different composers, two British and two American. A survey of Italian concertos from pianist Roberto Prosseda, the London Philharmonic Orchestra, and conductor Nir Kabaretti supplies a specter of menace.
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Jazz Commentary: John Coltrane’s “A Love Supreme” Turns 60 — A Homage
This year marks the 60th anniversary of the release of John Coltrane’s magisterial album “A Love Supreme,” which has meant so much to so many.
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