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Documentaries on George Michael, Janis Ian, and Jackie Shane look at musicians who grappled with the fear and consequences of expressing their true identities.
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In a production filled with emotional intensity, Audra McDonald delivers a powerhouse portrayal that elevates a somewhat uneven staging.
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Critical to the success of “Cost of Living” is playwright Martyna Majok’s refusal to resort to tropes about people with disabilities and those who care for them.
Read MoreA two week stay in Paris, April 11 through 26, delivered the sights and sounds crooned about in the well-known songs.
Read MoreNo pianist in his right mind is going to repeat this program. András Schiff had privileged us with a gift that only he could give.
Read MoreSUBMARINE director Richard Ayoade has good taste. He loves movies so purely and energetically that it’s fun to watch him borrow from his favorites and patch together something new.
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Almost every painting here is a discovery worth making.
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The music Nick Waterhouse performs (almost all of which he writes) is consistently retro—not to mention relentlessly danceable and fun.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner