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Film Review: “Portrait of a Lady on Fire” — “A Love Story With Equality”

October 27, 2019
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Portrait is a masterly work of historical realism — about an enduring love between two women — done in high-flying poetic style.

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Film Review: “Greta” — Psycho Thriller, Qui Est-Ce?

February 28, 2019
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A B-movie par excellence, Greta’s the kind of unhinged and yet fiendishly well-calibrated genre fare that rarely gets afforded the attentions of a director as accomplished as Neil Jordan.

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Visual Arts Feature: Alla Kovgan, Treasure Hunter—Merce Cunningham at the ICA

October 22, 2015
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Filmmaker Alla Kovgan calls Cunningham 3D a new juncture at the crossroads of dance, cinema, music, visual arts, and 3D technology.

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Theater Review: “Sontag: Reborn” — A Song of Herself

May 13, 2014
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Dramatically speaking, Sontag: Reborn fails to treat a flawed iconoclast with the necessary creative playfulness. Hush, Saint Susan Aborning!

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Book Review: Unearthing the Lost Culture of Mathematics

February 9, 2012
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Elegantly written, cogently argued, and filled with trenchant artistic analyses, Alexander Marr’s book exemplifies interdisciplinary studies at their best.

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Theater Review: The Christmas Revels 2020 — A Delightfully Virtual Revelation

December 23, 2020
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A 50th anniversary is a wonderful milestone, and I congratulate the Revels for looking back and huzzahing the occasion as they have.

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Dance Review: A Ratmansky Evening at New York City Ballet

May 11, 2017
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Two works by one of the most-in-demand choreographers of our time received powerhouse performances from the New York City Ballet.

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Visual Arts Interview: “Modern Fossils” — Skeletal Glimpses of the Future?

August 8, 2017
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When I saw images of the sculptures made by Christopher Locke — a series entitled Modern Fossils — I was stunned

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Book Review: “The Power of Adrienne Rich” — An Aesthetic and Political Force

July 9, 2025
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Poet Adrienne Rich’s journey serves as a model for meeting the challenge posed for artists and the rest of us today, confronted with the rise of authoritarian forces in America.

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Album Review: “Will Anybody Know That I Was Here? The Songs of Beulah Rowley” by Mary Lee Kortes

February 11, 2024
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The album suggests an earlier time, but most of the music is modern, relevant, and timeless.

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