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Classical Album Review: John Adams Orchestral Works

January 13, 2021
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My Father Knew Charles Ives and Harmonielehre make an excellent pairing on the Nashville Symphony Orchestra’s new, all-Adams album led by music director Giancarlo Guerrero.

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Concert Review: Puddles Pity Party — It’s His Party, and He Will Cry If He Wants To

November 12, 2019
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An exhilarating and entertaining evening with Puddles, a most personable and unique clown.

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Fuse Dance News: Frederic Franklin — A Legend Passes

May 7, 2013
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Frederic Franklin was the repository of much of the tradition of 20th century ballet, and he carried on these values by personifying the essence of the genre.

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Fuse Book Review: Too Square to “Bounce”

August 6, 2012
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Instead of painting the vibrant and colorful scene which is New Orleans, author Matt Miller supplies dry exposition about each event via a blow-by-blow chronological time line.

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Theater Review: Berkshires Stage Round-up — Minimal Cheers

August 9, 2017
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Theater in the Berkshires has now entered a less than sparkling mode with a group of offerings that left me wondering why they were chosen for production.

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Book Review: Why Listening to Community Voices Could Help Revive Local News

August 7, 2020
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If a new generation of community news organizations is to grow and thrive, then we need a renewed sense of civic engagement. And in order to foster that civic engagement, we need journalism that doesn’t just report the news but also listens and collaborates.

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Jazz Commentary: Billy Cobham, Then and Now — An Awesome Jazz Drummer

January 4, 2023
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Billy Cobham plays right on top of the beat, and his grooves are impeccable. Maybe he’s not the first drummer you’d call for a loose New Orleans shuffle, but if you could hire the Terminator to be your percussionist, Cobham is your man.

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Film Review: “Pavements” — Theme and Variations on the Band Biopic

June 4, 2025
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Impish, absurd, and entertaining, “Pavements” tosses the musical biopic into a counterfactual blender.

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Visual Arts Review: Joana Choumali — No End of Stuff

January 30, 2025
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This show is proof of the Harvard Art Museums’ commitment to display relevant work by living artists who are grappling with critical issues posed by our contemporary world.

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Cultural Commentary: Goodbye Columbus — Mexico City’s “La Joven de Amajac” and “Tlalli” Sculptures

October 24, 2021
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Mexico City settles on Columbus’ replacement, but finds that removal and substitution is agonizing in society which hasn’t changed all that much.

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