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Mark Morris and Ethan Iverson chose songs from the famous album for reflection and extrapolation. What they made is an entertainment, a romp for the company’s terrific dancers.
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The authors let dance serve as a way of embodied knowing — an intelligence that can unlock an understanding of physics’ theories and abstractions.
Read MoreJack Taylor is a Beckettian character on the skids; he can’t go on, and yet he goes on.
Read MoreMJ Halberstandt’s script is at its strongest when his characters, and how they connect with each other, are the focus.
Read MoreOne of the ironies inf American Rhapsody is that most of the artists Pierpont takes up didn’t find life in America to be rhapsodic at all.
Read MoreThe Rasas are but the latest in a series of remarkable scores John Harbison has been turning out over his eighth decade.
Read MoreIn this interview Dave Davies discusses his solo show and gives us the latest on the ongoing Kinks intrigues.
Read MoreThe Commonwealth Lyric Theater has again brought to the fore an underperformed, unfamiliar masterpiece well worth getting to know. Good for them and lucky for us.
Read MoreThe SpeakEasy Stage Company’s Xanadu is a joyful, fun piece of light summer entertainment, beautifully executed by the cast and crew, that celebrates sublime schlock in surprisingly hilarious and creative ways.
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Occasional slip-ups shouldn’t obscure appreciation of Kid Cudi’s fantastic vocal performance.
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