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The skillful Mark Elder leads a fine cast, including the superb Peruvian tenor Iván Ayón-Rivas.
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“I wanted, with this opera, to see if audiences and collaborators could feel something about our changing weather, in an artistic space.”
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Whom can we thank at the Boston Symphony Orchestra for choosing James Carter to be the featured saxophone soloist in March 23’s concert at Symphony Hall?
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Mostly the New Orleans Jazz & Heritage Festival ends up being about the multiplicity and infinite variety of cultures and traditions, including generic funk.
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The Western Wind turns out to be a beautifully written novel, a serious book of great depth, intention, and craft.
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Soprano Ruby Hughes’ album is fine, well played, sung, and programmed; baritone Christoph Prégardien delivers vocal works by Mahler, Alexander von Zemlinsky, and Max Reger with warmth; soprano Diana Damrau is in her glorious prime singing the songs of Strauss.
Read MoreHow Soft the Lining brings considerable emotional power to bear on its exploration of the complexities of American history.
Read MoreDirector Judd Apatow has done a great job translating Amy Schumer’s humor and salty/sweet persona to the screen in Trainwreck.
Read MoreThe Safdie brothers are willing to look at hard truths, creating a movie that retains the immediacy and the tragedy of addiction.
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Critical Commentary: Critical Injury at the “Boston Globe”
The Globe tells us that we will be gaining compelling stories. What are we losing? Invitations to think seriously about artistic accomplishment and failure.
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