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Ivory is at its best when Omar Apollo fully commits to taking adventures into different sonic spaces.
Read MoreCriticism is vital to our time because it is a form of witnessing, testimony to the possibility that the richness and joy of the arts can be articulated in ways that invite intellectual contentiousness in the midst of community.
Read MoreThere is now an eighth Judicial Review, with the panel deliberating on the Boston University College of Fine Arts production of the 1990 Stephen Sondheim/John Weidman musical “Assassins,” which looks at the lives and sensibilities of men and women who attempted (successfully or otherwise) to kill the President of the United States. Below: background on…
Read MoreA worthy present for Mozart on his 250th birthday: an original, sometimes eclectic, and mostly well-written book about the composer and his operas. “Mozart and His Operas” by David Cairns. (University of California Press) By Mark Kroll Mozart mania is back. In fact, it never left and don’t say I didn’t warn you. We are…
Read MoreThe Christos Mosaic is the rare adventure story that rewards the reader’s attention by being as diverting as it is rigorously encyclopedic.
Read MoreNeuroplasticity is a bit more fleshed-out than its predecessor, but the album retains ample amounts of the slow to mid-tempo spookiness that Al Spx calls “doom soul.”
Read MoreThe virtuoso approach of Bedlam’s Saint Joan, its unpretentious immediacy, makes this production an exuberant Shavian history lesson that should not to be missed.
Read MoreDough contains plenty of tasty charm and passion.
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Summer of Soul is two hours of rapturous entertainment and pointed political commentary — neither of which has gone out of style 52 years later.
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It is sad Monster is such a botched effort, given that this is an important and timely story.
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