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Visitors (of all ages?) were invited to drink copious amounts of liquor and possibly get laid. This was as close to Pinnochio‘s Pleasure Island as they were ever going to get.
Read MorePaavo Järvi and the Estonian Festival Orchestra present a probing and excellent version of Shostakovich’s Symphony no. 6.
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Anchored by the assured direction of Cailin Doran and Jade Wheeler’s dazzling performance, Who is Eartha Mae? sings with truth.
Read MoreNowhere do I say in the piece that The Arts Fuse is all good and everyone else is all bad.
Read MoreBy Gary Schwartz To the memory of Dan Tsalka. Among the acts of art vandalism blamed on the nineteenth century, one of the minor ones was actually undone fifteen years ago. It had to do with the dismemberment of a painting by Jan Steen of the wedding night of Sarah and Tobias, a story from…
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The shared baseline of these conversations is that there are no good old days to go back to. If the cultural sector in the United States returns to the ways things were organized in February, 2020, with all the inequity and unsustainability that implies, we will have failed.
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The stories in this collection are uneven, although to my mind the beauty and brilliance of the best outweigh the others.
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By Ralph P. Locke Joachim Raff’s energetic and characterful Die Eifersüchtigen hits its mark, in its first production ever. Joachim Raff: Die Eifersüchtigen (The Jealous Ones) Serafina Giannoni (Donna Rosa), Raìsa Ierone (Donna Bianca), Mirjam Fässler (Ninetta), Benjamin Popson (Don Claudio), Batthias Bein (Beppino), Balduin Schneeberger (Don Giulio), Martin Roth (Don Geronimo). Orchestra of Europe,…
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Television is the new art cinema, chock full of superb examples of storytelling across multiple genres.
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Literary Homage: Denis Johnson, American Dostoevsky
Denis Johnson’s spiritual vision was dark and more than a little scary but also supremely generous.
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