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Like Breaking Bad, El Camino subtly suggests that justice is a relative concept.
Read MoreAs nicely played as the Mendelssohn and Tchaikovsky were, I left feeling that there was something distinctly anticlimactic about the Aviv Quartet’s programming choices. I would much rather have heard the Erwin Schulhoff close the evening –- or at least heard it sandwiched between the Romantic selections.
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Think Ray Harryhausen by way of the Quay brothers or Jan Švankmajer and you’ll have a vague sense of the sort of magnificent black magic that animatesMad God.
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The real culture war in 1980s America was waged by young people who were trying to create their own culture and jealously rejected corporate culture along the way.
Read MoreMoses(es) has many layers of metaphor and suggestion, but the surface is always visually intriguing, musically imaginative
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When confronted with a seemingly intractable quandary, playwright Larissa FastHorse — and her characters — take the easy way out.
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Bob Dylan’s music has rarely been more heartbreaking, his poetic storytelling rarely more beguiling, and the singing never less nasal.
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Given the infectious and embracing music of Burt Bacharach and Hal David, Mark Morris’s The Look of Love will most likely be regarded as among his most accessible and popular dances.
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The sound of both musicians is indelible: trumpeter Enrico Rava is warm and rounded; pianist Fred Hersch, often icy, is fetching and detailed.
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Arts Commentary: From the Editor’s Desk — By Popular Demand, 2026