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It’s hard to imagine that Hollywood suits would get behind a movie focused on a corrupt political regime, even one that’s now history.
Read MoreA hard-surfing reader called our attention recently to a piece in the on-line journal, The Hub Review. The piece, “Why all the love for the ‘Matter Pollocks’?” reports on the on-going controversy covered in some previous “Anonymous Sources” posts on The Arts Fuse.
Read MoreTranslator George Kalogeris’s modernizing does what it should: It brings the poems into the thought-world where modern readers live.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreThis recording is the first of a partial Shostakovich cycle Andris Nelsons and the BSO are embarking upon.
Read MoreWho was this stunning talent with the roof-raising voice and why in the world isn’t she a star, fans would wonder?
Read MoreGagosian Gallery’s show Picasso & the Camera is the art bargain of the season.
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Across his career, British conductor Martyn Brabbins has used his bully pulpit to bring to light all sorts of deserving, unfamiliar repertoire, including the music of compatriot Havergal Brian.
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French opera arias, many recorded for the first time, by the enchanting tenor Cyrille Dubois. The vocal treasures here include a stirring 1842 denunciation of slavery in the Caribbean.
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Tracie Laymon’s comic drama about the serendipitous connection between a 25-year-old woman whose sense of self is fraying and a man stymied by loss is both entertaining and profound.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues