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Steve Jobs approached Sapper about heading up design for Apple. Politely, he declined the offer because he was too busy at the time.
Read More“I just want to fly my kite like everyone else. I’m not interested in being the greatest. That sounds like an awful ball and chain. I love the freedom that I have.”
Read MoreThis daring musical version of “The Merchant of Venice” provides a fascinating re-imagining of a classic play that explores many of the themes and tropes of the original more deeply than many modern productions do.
Read MoreWith Color Crossing, Kate Gilbert wanted to showcase “the collision between sights and sounds that make Downtown Crossing so vibrant.”
Read MoreAnna Shelest’s new recording of piano-and-orchestra pieces by Anton Rubinstein is one of those albums that makes you want to rethink Rubinstein’s relative neglect in the broader canon – almost.
Read MoreWhat one really wishes is that the Seattle Opera’s Ring Cycle had been released as a DVD.
Read MoreThe caricature of the theater critic as spoilsport still pops up, pushed by rescuers of the “injured” who enjoy delivering self-congratulatory whippings. No naysayers are allowed –- it hurts business. For once, how about looking at the ways that yeasayers do a disservice to theater and the craft of criticism? By Bill Marx Are theater…
Read MoreViolinist Ray Chen and the BSO delivered one of the most seismic performances of Tchaikovsky’s Violin Concerto that I’ve heard.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues