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Theater Review: “Play On! Othello” — A Painful and Invigorating Update

April 22, 2021
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You need to hear this play. Especially if you are white and already “know” Othello. Listen again (and again) and prepare to question old assumptions.

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Classical Album Review: Richard Danielpour’s “An American Mosaic” — A Potent Reminder of Shared Humanity

June 7, 2021
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An American Mosaic is a fascinating study of how a contemporary composer can fuse the gestures and syntax of a tradition rooted in Bach with contemporary sensibilities.

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Poetry Review: Peter Gizzi’s “In Defense of Nothing” — Poetry as the Fruit of Bewilderment

May 5, 2015
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Peter Gizzi is a master at allowing his poetic language to summon its own range of meanings, rather than blatantly declaring them to the reader.

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CD Review: Andris Nelsons conducts Wagner and Sibelius (BSO Classics)

February 27, 2015
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The main takeaway from this first BSO album under new music director Andris Nelsons is the excellent, exciting Sibelius performance.

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Electronic Music Review: Múm’s The Word

September 24, 2013
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While Múm sometimes succumbs to the monotony that’s a predictable risk for chill electronic acts, in Smilewound the group has brought together a set of intricately-crafted folktronic songs that are always enjoyable, and occasionally even breathtaking.

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Film Interview: A Talk with Writer, Director, and Actor Zoe Lister-Jones

June 8, 2017
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While Band Aid feels authentic in its realistic depiction of contemporary relationships, its humor is consistently disarming.

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Fuse Film Review: Julian Schnabel’s “Miral” — Emotion, Beauty, Power and ‘Huh’

April 5, 2011
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For a film in which politics are of such moment, “Miral” longs to be apolitical — or just sublimely fuzzy. Schnabel wanted to make something warmhearted, beautiful, and decent, something that would give you a hint of how history — roughly from Partition to the Oslo accords — looked from the Palestinian side, and he has
succeeded …

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Theater Review: “Arms and the Man” — A Workmanlike Serving of a Shavian Confection

July 6, 2011
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There is nothing shocking, nothing sensational, nothing revelatory, in this workmanlike production of ARMS AND THE MAN. Nor should there be, as the play doesn’t give much room for innovation.

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Culture Vulture: Orhan Pamuk At Harvard

September 22, 2009
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By Helen Epstein A friend of mine who used to teach at Harvard says, “the place is filled with pompous people who think they have to be the smartest and most sophisticated in the world — at least in their field,” so it was a delight this afternoon to hear the unpretentious and visibly agitated…

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Jazz Album Reviews: Strong Discs from Pianist Chick Corea and Bassist Eric Revis

September 11, 2020
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A pair of beauties: an Eric Revis quintet album and a solo excursion from Chick Corea.

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