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You need to hear this play. Especially if you are white and already “know” Othello. Listen again (and again) and prepare to question old assumptions.
Read MoreAn American Mosaic is a fascinating study of how a contemporary composer can fuse the gestures and syntax of a tradition rooted in Bach with contemporary sensibilities.
Read MorePeter Gizzi is a master at allowing his poetic language to summon its own range of meanings, rather than blatantly declaring them to the reader.
Read MoreThe main takeaway from this first BSO album under new music director Andris Nelsons is the excellent, exciting Sibelius performance.
Read MoreWhile Múm sometimes succumbs to the monotony that’s a predictable risk for chill electronic acts, in Smilewound the group has brought together a set of intricately-crafted folktronic songs that are always enjoyable, and occasionally even breathtaking.
Read MoreWhile Band Aid feels authentic in its realistic depiction of contemporary relationships, its humor is consistently disarming.
Read MoreFor a film in which politics are of such moment, “Miral” longs to be apolitical — or just sublimely fuzzy. Schnabel wanted to make something warmhearted, beautiful, and decent, something that would give you a hint of how history — roughly from Partition to the Oslo accords — looked from the Palestinian side, and he has
succeeded …
There is nothing shocking, nothing sensational, nothing revelatory, in this workmanlike production of ARMS AND THE MAN. Nor should there be, as the play doesn’t give much room for innovation.
Read MoreBy Helen Epstein A friend of mine who used to teach at Harvard says, “the place is filled with pompous people who think they have to be the smartest and most sophisticated in the world — at least in their field,” so it was a delight this afternoon to hear the unpretentious and visibly agitated…
Read MoreA pair of beauties: an Eric Revis quintet album and a solo excursion from Chick Corea.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues