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Xavier Giannoli’s Marguerite is a wonderful study of delusion and illusion, the deceptive power of love and faith.
Read MoreThese live recordings capture Weather Report’s sound during its most celebrated years.
Read MoreWho else, but The Beatles, could command this much attention, of this many people, for that long of a time, and still be interesting, even joyous?
Read MoreOne could hardly ask for more persuasive Bruch advocacy than what the Nash Ensemble offers here.
Read MorePerhaps the theatre of millennials will resemble Reality TV, resistant to suggestive metaphor and the rewards of complex narration.
Read MoreComposer John Adams (b. 1947) was represented by two impressive works: “Chamber Symphony” (1992), and “Son of Chamber Symphony” (2007). For some reason the latter opened the concert and the former closed it, but no matter. By Caldwell Titcomb The Boston Modern Orchestra Project (BMOP) kicked off its season with a Jordan Hall program on…
Read MoreIn its 4th season, Insecure remains a hilarious look at the lives of black millennials growing up in Los Angeles.
Read MoreWhether or not there’s a real lover, or whether all of this is an elaborate fantasy is beside the point. For Harold Pinter, it may all be the same thing.
Read MoreBSO’s conductor emeritus Bernard Haitink may be best known for his interpretations of Austro-German repertoire, but, on Saturday night, he channeled his inner Francophile.
Read MoreRadius Ensemble’s final performance of the season touched on examples of musical fantasy, worldly angst, and spiritual transcendence.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues