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This is a tense morality play, with twists odd enough (and a palette dark enough) to sustain a noir-inflected thriller of almost two hours.
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Of all the biographies of female musicians I’ve read in the past year, Last Chance Texaco is the most transparent about the vagaries of fame.
Read MoreIt is Kristen Wiig’s committed performance, along with director Shira Piven’s skill at comic timing, that grounds the satiric comedy’s absurd premise.
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“The Substance” is the most insane midnight movie you’ll see in a multiplex in 2024. Needless to say, I loved it.
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A review of the 60th anniversary reissue of Frank Sinatra’s album Nice ‘n’ Easy. Though not without a few rounds with the Sinatra mythology — not the complicated man, but his music.
Read MoreZero K will prove refreshing to Don DeLillo’s readers in that it’s a novel of faith — a concept that he’s always been skeptical of.
Read MoreIf “Henry VIII” is dramatically lacking when compared to Shakespeare’s other histories, what makes this production worthwhile is the care Actors’ Shakespeare Project has brought to staging it.
Read MoreSara Silverman throws herself into depicting Laney’s mental illness and out-of-control life.
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The world-renowned tenor Ivo Židek leads a spirited cast, and reminds us how involving opera can be when sung by native speakers.
Read MoreAnat Gov’s play about wrestling with life and God is an outrageously provocative script that showcases the best of contemporary Israeli art.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues