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Paradise Lost’s Replay is nothing if not exuberant.
Read MoreHad Daniil Kharms’ texts been available at the high tide of the Theater of the Absurd, his plays would be performed alongside those of Samuel Beckett and Eugene Ionesco.
Read MoreMatthew Sweet and Tommy Keene return to town to brighten the Music Hall in Allston.
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In his virtuoso one-man show, Bill Irwin pays adroit homage to the language and vision of Samuel Beckett.
Read More“The Beginning-End of Yiddish,” is poet/essayist Richard Fein’s core subject: his love for a language largely eviscerated in his lifetime.
Read MoreThe genuine divide is between those critics who see reviewing as an end in itself and those who see it as a means towards marketing or career boosting.
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The intent of this fine album to dramatize the enduring legacy of Martin Luther King: no justice, no peace.
Read MoreBy Bill Marx The war over critics-as-bullies is over, but some diehards keep fighting the same old battles to the point of arthritic absurdity, like Lee Marvin and Toshirô Mifune as old and forgotten American and Japanese veterans of WWII slugging it out in the 1968 movie Hell in the Pacific.The latest retread salvo comes…
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Vocalist Allegra Levy is at her strongest when purveying certain specific moods — melancholy, playful, even lightly ironic.
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Rethinking the Repertoire #1: Camille Saint-Saëns’ Symphony in E-flat, op. 2
We begin our survey with one of my favorite musical discoveries of the last three years: Camille Saint-Saëns’ Symphony in E-flat, op. 2.
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