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Unlike the rock star supporters of Pussy Riot, Garry Kasparov lives in Moscow, which means, given how the Putin regime has dealt with critics, he has a lot more to fear than, say, Madonna, who nevertheless should be applauded for speaking out at her Moscow concert.
Read MoreA vital part of Susan Graham’s appeal is her winning personality; she makes a recital hall audience happy to be here before she sings a note.
Read MoreNikolaus Harnoncourt’s final recording is the conductor at his best. Bernard Haitink helmed a great performance of Mahler’s Symphony no. 1.
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“It’s a very exciting prospect that your peers think your worthy to be inducted into the Rock and Roll Hall of Fame.”
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreAn elegant and sleek meditation on the reverberations of trauma adapted for the stage from a collection of stories by Japanese writer Haruki Murakami. After the Quake, based on the stories “Honey Pie” and Super-frog Saves Tokyo” by Haruki Murakami, which were translated from the Japanese by Jay Rubin. Adapted for the stage by Frank…
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The book’s main contention is clearly correct: Dylan’s lyrics aren’t everything, and his vocal delivery is eminently important. But, according to Larry Starr, every period is a golden one, and the most minor effort deserves major respect.
Read More“Rounding Third” flounders most when it tries to get serious. Luckily, it doesn’t try very hard, and delivers considerable amusement.
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Dance Commentary: Facing Mekka
A new dance show by Rennie Harris serves as a valuable response to MTV’s commercialization of hip hop.
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