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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Read MoreThe movie plays all sides equally, providing no answers, no favorites, no villains, no heroes. Everybody’s motives and ethics are in question.
Read MoreBy Peter Walsh It’s a hot weather tradition. Generations of American artists have followed the seasonal migration out of hot, sticky, eastern cities to Cape Cod (Edward Hopper, Hans Hoffman), the North Shore (Winslow Homer, Childe Hassan, Stuart Davis, Mark Rothko), and the Berkshires (Daniel Chester French, Norman Rockwell ). Besides their work, they left…
Read MoreLion’s heart is an exhilarating sequence where Saroo painstakingly discovers his origins.
Read MoreDirector Liesl Tommy’s unflinching approach gives Lorraine Hansberry’s classic a surprising urgency more than half a century after the drama first played on Broadway.
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Our expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.
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As the age of COVID-19 wanes (and waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
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Sarah Polley’s essay on sexual assault by itself is worth the price of the book, essential reading for anyone interested in the physical and psychological after-effects of violence against women.
Read MoreAmong other things, we talked about the art world’s massive hoarding problem.
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Film Review/Commentary: “Goodnight Mommy”—We Have Met the Enemy and He is Ours
Two recent horror films know what they are doing: they are intelligent, clever, original, and genuinely disturbing.
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