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As the age of COVID-19 wanes (and waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
Read MoreSarah Polley’s essay on sexual assault by itself is worth the price of the book, essential reading for anyone interested in the physical and psychological after-effects of violence against women.
Read MoreWilliam King is a loving, self-sacrificing, salt-of-the-earth character mooning over the vanished past; Sonia is a saintly wife yearning for hubby to join her in Heaven; the sons care for each other and for their father—time to pull out your hankies. Broke-ology by Nathan Louis Jackson. Directed by Benny Sato Ambush. Staged by the Lyric…
Read MoreLion’s heart is an exhilarating sequence where Saroo painstakingly discovers his origins.
Read MoreDirector Liesl Tommy’s unflinching approach gives Lorraine Hansberry’s classic a surprising urgency more than half a century after the drama first played on Broadway.
Read MoreThe sprawling cast — 30-plus players — under Michael Arden’s direction performs with verve; they deliver outstanding performances and have excellent singing chops.
Read MoreThe voice in Field Music is disciplined, its cagey earthiness unfailingly engaging our attention.
Read More“Superman Returns” fails to take off the ground in Warner Brother’s attempt to revive the legendary franchise. Although Brandon Routh believably portrays the Man of Steel, unmistakably similar in his bold facial features and baritone voice to the man (Christopher Reeve) who made the role famous, the predictable plot and too much one-dimensional acting by…
Read MoreAmong other things, we talked about the art world’s massive hoarding problem.
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Film Review/Commentary: “Goodnight Mommy”—We Have Met the Enemy and He is Ours
Two recent horror films know what they are doing: they are intelligent, clever, original, and genuinely disturbing.
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