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Mark Greif’s analyses can be sharply counter-intuitive..
Jean Dawson’s Pixel Bath is one of the most exciting releases I’ve heard this year.
Despite all the Boston Lyric Opera pageantry and talent, “Carousel”‘s trip to the 21st century turns out to be bumpy.
We’re very fortunate that this kooky cinematic icon finds the internet interesting; this film is one of the most interesting documentaries of the year so far.
I put Joni Mitchell on a short list of the most remarkable pop music artists of the ’60s and early ’70s. Longevity of excellence isn’t the point here, just peak incandescence.
The omniscient narrator in Natura Morta is flawlessly neutral, allowing the images, minimal action, and characters’ reactions to the events of this single day in a Roman square to tell the story.
Fuse Jazz Critic Steve Elman is currently surveying works that illuminate the tradition of the jazz-influenced piano concerto. His series began with an examination of Chick Corea’s current recording, The Continents. In part two, he takes a look at eight works by jazz composers that precede the release of Corea’s work. This post is a…
“Red” is about creativity and destruction, Apollonian rigor and Dionysian instinct, fathers and sons, love and rejection, life and death.
Book Review: Cowboys and the Wild East — “In the Dragon’s Shadow: Southeast Asia in the Chinese Century”
Proceeding largely country by country, Sebastian Strangio penetratingly explores Southeast Asia’s multifaceted struggle with its behemoth Chinese neighbor.
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