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Temptations 60 celebrates the band’s 60th anniversary, and it strikes a careful balance between looking backward and staying grounded in the here-and-now.
This is a small show, only 18 pieces, but each drew me into thinking about what I was seeing and, simultaneously, how the artist made it.
A perspicacious, multifarious, and compelling fictional field report on how we get hitched or unhitched, coupled or uncoupled.
In an architectural sense, the Edward M. Kennedy Institute is too quiet a visual statement.
Tsvetanka Elenkova is one of the key figures in contemporary Bulgarian poetry.
Why this is hell, nor am I out of it.— Christopher Marlowe, Dr. Faustus Adding Machine: A Musical. Based on the play The Adding Machine by Elmer Rice. Original Music by Joshua Schmidt. Libretto by Schmidt and Jason Loewith. Directed by Paul Melone. Steve Bergman, Music Director. David Connolly, Choreographer. Susan Zeeman Rogers, Set Design.…
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
The excellent E-Team documents a remarkable effort to investigate the abuse of human rights, an endeavor that, for the most part, goes unheralded in our mainstream media.
For many Americans, Cuba has an air of mystery, but the art on view here is accessible, not enigmatic, even at times somewhat didactic.
Theater Commentary: Boston Stages — Running from Reality?
Are our theaters indifferent, craven, or complicit? Take your pick.
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