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Classical Music CD Reviews: Hrůša’s Dvorák, “The Lost Songs of St. Kilda,” and Steve Richman’s Gershwin

October 2, 2016
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The Lost Songs of St. Kilda is a disc that’s simple but profound, beautiful and enduring.

Doc Talk: New Spins on Plan B in “Flipside”

June 25, 2024
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A profound piece of director Chris Wilcha’s life was being disrespected and threatened with extinction. He had to do something. He had to make a documentary about it.

Jazz Concert Review: The Walter Smith III Quintet, Live at the Regattabar

September 18, 2023
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The Regattabar, located in the Charles Hotel, re-opened after being shuttered for three years following the Covid epidemic.

Classical Album Review: Kristin Ditlow’s Deeply Affectionate “Passages” — Making the Piano Sing

July 25, 2023
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In this splendid album, pianist Kristin Ditlow shares her love of the piano in melody-drenched works from many lands and peoples.

Concert Review: Two Operas About Mythic Women from Harpist Deborah Henson-Conant

May 9, 2014
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The value of these two superb “operas” is learning where harpist Deborah Henson-Conant was musically (and emotionally) in the early ’80s.

Music Homage: Loose Salute — Monkeemania is Alive and Well in Boston

April 15, 2014
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Loose Salute uses its genuine love for the too-little-heard Michael Nesmith and too-little-respected Monkees songbooks as a springboard for inventive arrangements that are true to the unique character of the music.

Book Review: “Serious Bidness” — Seriously Deranged

July 27, 2016
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Devotees of modern and contemporary art will find this an inscrutable yet irresistible 72-page book.

Theater Review: “Mothers and Sons” — An Elegant, Affecting Production

August 21, 2018
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Mothers and Sons is one of veteran playwright Terrence NcNally’s finest works.

The Arts on the Stamps of the World — January 16

January 16, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

Concert Review: Joshua Bell and the Boston Symphony Orchestra/Marcelo Lehninger

October 5, 2012
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This weekend’s soloist, Joshua Bell, is a performer who perhaps best approximates Leonard Bernstein’s charismatic personality in performance: a fully engaged interpreter, he does not shy away from physically expressing the emotional content of what he’s playing.

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