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Theater Review: “An Octoroon” — Racist Melodrama, Post-Modern Version

February 5, 2016
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Company One’s actors are top notch and they expertly serve the production’s antiquated style of non-realistic acting.

Theater Review: “The Christmas Revels 2021” — As Usual, Rising in Song

December 31, 2021
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Once again,under challenging circumstances, the Revels cast and crew has pulled off a rousing good show.

Music Feature: The Best Jazz Albums of 2022

December 19, 2022
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The magazine’s jazz critics look back over the past year and highlight their favorite albums.

Television Review: “Louie” at Season Four — Art House TV

June 19, 2014
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Louie is a difficult show to advertise because it is the only example of art-television at the moment.

From the Editor’s Desk: Save the A.R.T.’s Tinker Bell — Clap Your Hands If You Believe in Cash

July 25, 2014
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A major regional theater is turning itself into a launching pad for Broadway/Las Vegas blockbusters, with Hollywood pouring cash and advice into the pipeline. .

Theater Commentary: Boston’s “Comedy of Errors”

August 14, 2009
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The Comedy of Errors by William Shakespeare. Directed by Steve Maler. Presented by Commonwealth Shakespeare Company at the Boston Common Parkman Bandstand, through August 16. Reviewed by Bill Marx Shakespeare can be punished by his own success. In “The Comedy of Errors” he juggles two sets of identical twins on stage with the dizzying aplomb…

Dance Review: Danish Treat

June 29, 2005
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A festival dedicated to 19th century choreographer August Bournonville packed a wallop.

Author Interview: Caroline Leavitt on her Novel “Days of Wonder”

May 9, 2024
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“I wanted to explore the real nature of guilt and innocence, and why it isn’t easy for society to forgive.”

TV Review: “The Knick”—Rewarding, But Not for the Faint of Heart

November 6, 2015
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Cinemax’s The Knick is gruesome, grim, and certainly not for the faint of heart.

Arts Commentary/Interview: The Climate Crisis and Theater — A Playwright’s Perspective

November 28, 2022
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Do we feel the environment breakdown in our gut? Will people looking back see art that conveyed the existential threat of the emergency?

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