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This re-release of a superb recording of a major Meyerbeer opera reminds us what treasures are available to opera companies (and college opera programs) willing to step beyond the well-trodden path.
Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
A clever British import and a soulful Cuban music-fest reflect a season that delivers the full range of musical storytelling Broadway’s been missing
The culture of American fiction is never as neatly defined as books like “MFA vs NYC” make it out to be.
The newly released Live at the Rainbow ’74 set proves that Queen had been slaying audiences since the beginning of their career.
This is a wonderful novel about a pressing humanitarian subject, Syrian refugees and the people who helped, as well as an exploration of identity and loss and triumph.
The path Dirty Harry (and too many of his defenders, then and now) chose to pursue — the urban policing version of “killing the village in order to save it” — was outdated and discredited even in 1971.
“We’re at the end, or toward the end, of an extended collapse of the institutions that made it possible for many of us to make a living through intellectual or creative activity. We’ll have to find another way.”
Nice Fish serves up a deliciously droll brand of American existentialism.
Book Review: “We Uyghurs Have No Say” — When Truth Telling Becomes Subversive
What do the words of an imprisoned Uyghur dissident tell us about the desperate plight of China’s ethnic minorities today?
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