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Theater Review: “The Children” — After the Damage Has Been Done

March 3, 2020
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An apocalyptic backdrop gives the play urgency, especially given the current worldwide struggle to contain the Corvid-19 virus, which has already claimed thousands of lives.

Film Interview: Making a Movie of “The Spinning Man”

April 2, 2018
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A slow-motion road to the silver screen: Spinning Man author George Harrar talks about the journey from page to film.

Opera Album Review: Rossini’s Splendid Passover Opera for Paris — “Moïse et Pharaon”

March 26, 2021
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Just in time for Passover: another fine world-premiere Rossini recording, the 1827 French version of his Moses-in-Egypt opera.

The Arts on Stamps of the World — July 25

July 25, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

Fuse Book Review: The Decision Not to Have Kids — Examined and Defended

August 26, 2015
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This anthology is thought-provoking and often moving; a spearhead into a relatively undiscussed new demographic.

Classical Album Reviews: “For Clara” and “Bach Minimaliste”

September 26, 2023
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Reviews of Hélène Grimaud’s latest homage to Clara Schumann and La Tempête investigates seeming stylistic overlaps in the music of J. S. Bach, Henryk Górecki, Jehan Alain, Knut Nystedt, and John Adams.

Classical CD Reviews: Joyce El-Khoury’s “Echo” and Matt Haimovitz’s “Troika”

September 24, 2017
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Soprano Joyce El-Khoury sings spectacularly in her new disc, Echo.

Theater Review: New Rep’s “Good” — Disturbing rather than Devastating

October 15, 2016
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The New Rep production is polished, surprising, and certainly hard-hitting.

Book Review: “Havel: A Life” — A Splendid Biography of a Seminal Artist/Statesman

November 24, 2014
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What this magisterial biography does so well is give us an even-handed portrait of a remarkable, flawed man who is obsessed with a need to help the disenfranchised.

Album Review: Jason Isbell’s Ruminative “Foxes in the Snow”

April 12, 2025
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One thing, among others, that sets Jason Isbell apart from his country scene contemporaries is that he isn’t afraid to break the all-American code of manly stoicism.

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