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Deborah Eisenberg’s stories pull you in and imitate life in an uncanny way.
The lush, lyrical, and demanding score is the main attraction, and the excellent Huntington Theatre Company cast is, for the most part, up to the challenge of singing it.
The tragicomic idea is that the existential futility of Franz Kafka’s world reflects life in the theater. The characters gloriously quixotic love for the stage battles against commercial greed, egomania, and psychological mess-ups. The Understudy by Theresa Rebeck. Directed by Larry Coen. Staged by the Lyric Stage Company of Boston at the 140 Clarendon Street…
“Nothing Like the Sun” remains, for my money, among the best works of fiction inspired by Shakespeare’s life.
The first concert of the Worcester Chamber Music Society augured a promising start for the ensemble’s seventh season.
Long stretches of the evening ask the audience to listen to annoying children’s voices in the dark.
On two recent releases, trumpeter Paolo Fresu shows us exactly what he has learned from Miles Davis, and how that has expanded rather than limited his music.
FilmStruck’s streaming service isn’t just an archive, it’s also an opportunity to reframe and refresh.
The truth is, Q: Into the Storm is shockingly dull.
Music Remembrance: Charlie Watts (1941-2021)
Watts’ relentlessly unembellished drive on dozens of classic songs, from “Satisfaction” and “Shattered” to “Connection,” is what makes them so danceable.
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