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Puscifer pulled off a great show of rock ’n’ roll farce, and that is saying something considering that the daily news feels ever more like scripted buffoonery.
Those of us who have heard Gerald Finley and Julius Drake knew what we were in for – truly beautiful singing throughout every range, and brilliantly expressive piano story-telling.
By Bill Marx Now in its third year under the watchful eye of the admirable Whistler in the Dark Theatre, FeverFest presents a selection of Boston’s fringe groups in an evening of short performances, a sort of theatrical tasting event billed as a round up of “explosive work by vital young companies.” Tonight will be…
Beau Jest Moving Theatre has returned to the early, one-act version of Williams’ script, and created a sometimes pleasant, sometimes nightmarish dreamscape.
This fledgling stage troupe aspires to raise a call to arms.
The concert, which along with the Elgar Violin Concerto also includes Rossini’s William Tell Overture and Beethoven’s Symphony No. 7, promises to be a momentous occasion for the ensemble.
The director did his research: he rode with EMTs so the Asphalt City’s grim vision is real and convincingly ramped up.
A Coffee in Berlin is described accurately in its publicity as “a slacker comedy.”
Camille Bertault is an uncommon talent. She has a crystalline voice, good intonation, understands the rhythmic and harmonic underpinnings of jazz and has a prodigious memory.
Commentary/Interview: Boston Globe Union Negotiations — Two Years On, More Anger and Resistance
Those who value serious journalism (as well as the rights of journalists) should be quite worried about just how lethally Boston Globe management is attempting to undercut the newspaper’s union.
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