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In Turkey, liberal filmmakers must find ways to address system wide abuses without offending the censors: the opening and closing films at this week’s Turkish Film Festival make good use of that strategy.
Is Amy Bonnaffons saying that heterosexual love is doomed? Probably not. But she gives no indication it can work in the world she creates here.
For at least the last decade, the LAPO has set the bar in creative programming, commissioning new works, and integrating itself into its community.
Day of the Dead upends stereotypes and expectations, providing a compelling, exploratory trip through the Grateful Dead songbook.
Happily, Blythe Danner is the central figure in an immensely pleasurable indie film that blends the integrity of an art film with the cozy accessibility of the mainstream.
These challenging LPs offer opposing, but equally thrilling, aural/cinematic adventures: one is an overblown grindhouse flick, the other a wondrous fantasy feature.
Snobby and sober no more! Made up of singers who perform arias and duets in bars, Opera on Tap currently presents its innovative songfests in Chicago, New York, New Orleans, and Ann Arbor. Now the concept comes to Boston, with performances tomorrow and Monday night (September 26 and 27) at Oberon in Cambridge. Anne Ricci,…
Lambert & Stamp will resonate with musicians who have experienced the volatile give-and-take that is needed to sustain and nurture a rock and roll band.
“The working relationship is based on the mutual feeling that all three of us have the same understanding of the purpose of the theatre – to present plays that create a cathartic experience for the spectator, which might open his eyes and his heart to a new consciousness.”
Jazz Commentary: Response to “The Jazz Bubble”
Arts Fuse Jazz critic Steve Provizer responds to Dale Chapman’s book The Jazz Bubble: Neoclassical Jazz in a Neoliberal Culture.
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