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The new album demonstrates just how versatile a singer/songwriter Mike Mattison really is.
Now why, you might ask. Why is there no reaction? Why does everyone involved, chose to ignore the scandal? Because, playwright Alan Ayckbourn would say, that is how most of us are. To paraphrase “Hamlet”: We rather bear the troubles we know, than — by opposing them — create even bigger ones.
An amiable musical revue about two guys who kick up their heels after global warming finally boils over.
Daniel Carter’s disc revolves, splendidly, around a process of self-discovery.
Too often, “Lioness” reads like a digest of Boston tourist guides and historical surveys, at times even seeming to quote them directly.
This production of Driving Miss Daisy isn’t about conflict and irresolution, but sentimental reassurance.
The Black Keys clearly wanted to write moody, trippy, mostly hookless tracks, and as far as moody, trippy, mostly hookless tracks go, the ones on Turn Blue aren’t so bad.
The recording proves to be both an excellent example of Andrew Hill’s unusual creative methods, particularly the wonderful results he managed to get with ensembles.
Following the stories of these unique, gifted, and sadly overlooked individuals can be as gripping as the music they made together.
Tony Kushner attempts a re-write of his first professional play. The results are decidedly mixed.
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