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With this excellent volume, Robert Tombs offers further proof that there should be no variance between good history and good writing.
All three records were recorded at Rudy Van Gelder’s famous studio. The sound is what one would expect from Van Gelder, clear, bright and close: these LPs were made with care at every stage. I recommend all three.
This clever, funny, sexy series from HBO Max is my pick for the best new feel-good retro comedy of 2022.
Once again, Revels has pulled together a varied and diverse cast of amateurs and professionals to amplify a valuable lesson: it’s important to stop and take stock of our lives during the longest night of the year and to have faith that a new year will bring renewal and growth.
This is the work of an extremely talented writer whose prose is spare and exact and has an authenticity that marks him as the real thing.
What Ain Gordon’s play demonstrates is that even when records are indecipherable and incomplete, we still have the right, and perhaps the responsibility, to imagine what happened.
To hear Nat King Cole move from an anonymous member of a backing chorus to a world-class vocal soloist is well worth the time this boxed set demands.
The band’s personal conflict and artistic turmoil proved to be fruitful because “…Like Clockwork” is Queens of the Stone Age’s most concise and mature disc to date.
In all of his books, John Julius Norwich remembered that history is a story.
Play The Way You Feel is the best volume around on the uneasy relationship between film and jazz.
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