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Appreciations of three remarkable translated works that have preoccupied me for months.
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If John Lahr could learn, even in his eighties, to cut back on his own self-adoration and stop being so damned star struck, the razzle in his profiles would dazzle all the more.
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2025 turned out to be a feast year for devotees of soprano saxophonist Jane Ira Bloom. The music found on both of these releases could be thought of as exemplifying three areas Bloom has explored in depth and refined to purity.
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When it comes to the aberrant conditions in today’s jails and prisons, concerns such as how corrections officers are regarded by their superiors in the system, the media, and the public are beside the point.
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Sometimes the stranger is someone who is very well known to us, like a father whose strange ways include a devotion to a certain story about a childhood in Wales.
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Converge bassist Nate Newton joked that, if it were left to him, he would have called this event “The Night of Seven Savage Weirdos”. Though when everything finally came together, even more weirdos were added to the mix.
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Many of the poems in this new collection take in the world through a distinctively painterly eye for scenes and sketches.
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A trio of good documentaries: Benita, Flophouse America, and The Pink Pill: Sex, Drugs and Who Has Control.
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Throughout their anthology, Nayland Blake reminds readers of the importance of maintaining authenticity and self-representation in every facet of creative work.
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Arts Commentary: From the Editor’s Desk — By Popular Demand, 2026
A selection of my top newsletter columns for 2026.
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