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The Arvo Pärt compositions here showcase a composer of remarkable stylistic coherence—but never dramatic complacency or creative stasis.
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“Summer, 1976” is a cleverly designed snapshot of a deep but fleeting friendship.
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Though Sibelius’s music has come to define whatever Finnish music is supposed to sound like, he certainly wasn’t the country’s only active, turn-of-the-20th-century composer.
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The authors assembled in “Crimean Fig” demonstrate they are unafraid to speak up for Tatar language and culture, while simultaneously speaking out against Putin, unwilling to submit.
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True to its name, “Nirvanna the Band The Movie” is bigger and crazier than anything Matt Johnson and Jay McCarrol have ever conceived of, a feat of gonzo filmmaking that would make Werner Herzog sweat.
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Two uniquely American books that will give you unexpected pleasures just when you need them most.
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Sun Ra was often deliberately far out, as we used to say, and also joyously entertaining.
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There’s no question that the author of “Criss-Cross” approaches “Strangers on a Train” from a gay-centric viewpoint.
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Conveying the value of hope and resilience are undoubtedly important, but positing social and civic responsibility is also essential, and “Annie” clearly offers that opportunity.
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Reading “February 1933”, just ten months into Trump’s second mandate is nothing less than unnerving.
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Arts Feature: Best Movies (With Some Disappointments) of 2025