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On Sunday, the New England Philharmonic and music director Richard Pittman are presenting a family concert that pays no heed to the season but showcases some of the area’s finest young performers in action.
There was a great deal of obfuscatory hype about this LP, but the time to listen to the music has finally come. And Earl Sweatshirt has delivered what sounds like a hip hop classic.
This recording heralds a serious, probing musician exploring some vital, if unfamiliar, twentieth-century violin repertoire, and, as such, presents a more-than-welcome addition to recent solo violin discography.
Jazz buffs know about the Yellowjackets. This is a Grammy-winning band that writes and performs complicated, intricate compositions that cross countless boundaries and thus make them difficult to pigeon-hole.
If this really is the last time that Pete Townshend and Roger Daltrey bring The Who out on tour, they are going out on top, leaving a legacy of songs that will undoubtedly stand the test of time for generations to come.
“For me, having new material to play — that’s the best. If you’re on tour, you are presenting a new album and people are psyched because you are playing some of that stuff live.”
The idea of house concerts seems to be getting some legs. The “fabulous world headquarters loft of Accurate Records” again plays host, this time to the eclectic San Francisco band, Mercury Falls.
As a performer, Lorraine Chapman has few peers in the area. Her body has been forged exquisitely in the ballet studio, and further honed by her early professional career as a ballet dancer.
With all the writing lately on marriage and happiness, and this being Valentine’s Day, and at the risk of being presumptuous, allow me share some accumulated wisdom that allegedly has been gained with age and experience.
As one of the most highly esteemed countertenors in the opera world today, Andreas Scholl did not disappoint, but radiated confidence and sincerity in his interpretations of some of Purcell’s most beautiful music.
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