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It turns out that it was more than just a rumor that saxophonist Charles Lloyd spent some of the ’70s playing with The Beach Boys.
“My hope is that in the near future the mainstream music pendulum will swing much more heavily towards giving jazz the attention it deserves.”
The art of Blane De St. Croix comes at the viewer via a multivalent attack on the staggering challenges posed by irreparable climate change.
How will PC New Englanders react to seeing nutria gunned down by hunters, and some bashed on their heads to make sure they are dead?
Let us hope that today’s revelations will be taken more seriously than charges of sexual harassment and assault were back in 1993.
Benjamin Zander, who’s led some distinctly fine concerts in recent years, drew the best out of his band.
Throughout Sam Shepard’s oeuvre one can find ample evidence of his struggles with demons, some of them distinctively American.
Vasily Petrenko and the Royal Liverpool Philharmonic Orchestra serve up some curious and, from time to time, rather languorous Elgar.
Precious few independent online arts publications make it to double digits. Please give us the resources we need to persevere at an essential cultural task.
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