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Book Review: “The Dogs of Inishere” — The Ambiguities of Desire

May 1, 2017
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Alannah Hopkin demonstrates a near impeccable sense of craft, including a talent for coming up with surprises.

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Jazz Album Review: Avishai Cohen’s “Ashes to Gold” — A Lyrical Response to Tragedy

October 25, 2024
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The music in Avishai Cohen’s album, written and recorded soon after Oct 7, expresses a persistent hopeful gentleness.

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Film Review: “The Goldman Case” — One More Time, J’accuse

October 17, 2024
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Cédric Kahn’s conventional but fiery true-life courtroom drama hones in on French racism and anti-semitism.

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Rock Album Review: Superorganism’s “World Wide Pop” — The Power of Collective Eccentricity

September 1, 2022
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In World Wide Pop, the London pop collective looks for peace in the digital cosmos, despite intimations of coming oblivion.

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Fuse Film Review: “Trapped” — Our Bodies, Our Clinics

March 12, 2016
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When it comes to women’s reproductive rights it is looking an awful lot like The Handmaid’s Tale out there, folks.

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Visual Arts/Book Review: “Drawing in Silver and Gold” — the Miracle of Metalpoint

September 26, 2015
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What seems to be a constant is a feeling that it is miraculous that these works have come into being, and that they are unlike any other kind of drawing.

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Theater Review: “The Voysey Inheritance” — A Masterpiece About Fraud, Capitalism, and Family

August 21, 2014
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The Voysey Inheritance comes to the Peterborough Players with distinction, and this production is persuasive evidence that it belongs in a wider repertory of contemporary theater.

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Fuse News: Time Capsules — British Pathe Newsreels Online

April 17, 2014
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British Pathe’s 85,000 (some sites say 90,000, but who’s counting?) newsreels are now online.

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Fuse Coming Attractions: What Will Light Your Fire This Week

September 19, 2013
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Arts Fuse critics select the best in music, theater, dance, and film that’s coming up this week.

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Arts Commentary: To Stay or Not to Stay? Copley Place’s fountain faces an uphill battle

September 26, 2013
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Today, the fountain at Copley Place feels embarrassing in some way; not its form or execution, but its very existence.

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