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A second quarter-century celebration, this one for Either/Orchestra, plus some unusual Christmas programs and some outstanding Latin music, all in the latter part of December.
Read MoreThere are fistfuls of notes and some tremendous technical skill. But, with a couple of notable exceptions, the readings of some of the cornerstones of the solo piano repertoire by each pianist lack direction.
Read MoreLike other great artists –- Martha Argerich and Steve Lacy come to mind right away — pianist Kirill Gerstein approaches every note with a sense of how important that note is in relation to every one that has come before and every one that is to come after.
Read MoreAn exciting month, and that isn’t hyperbole. A couple of North American premieres: a futuristic opera from MIT’s Tod Machover and poet Robert Pinsky and a drama tweaking The New Testament from Howard Brenton. Toss in iconic director Peter Brook staging Beckett, F. Murray Abraham as Shylock, and Car Talk:The Musical and you are talking about taking out the smelling salts
Read MoreThe highlights of the month include films from Iran, an adult look at married life, an early movie by the criminally underrated director Todd Haynes, and what is billed as the “best Nazi zombie movie ever.” By Justin Marble. Princess Bride and Young Frankenstein. At the Brattle Theatre, January 6. It’s not often that viewers…
Read MoreMany museums slow up and party like the rest of us this month, but there are a few new exhibitions worth a look, some offering visuals that brim over with good cheer, such as a collection of handmade holiday cards, others displaying a more violent view of humanity, such as “Goya and the Bullfight.” By…
Read MoreThe month’s attractions include movies from directors Darren Aronofsky and Frank Capra—a yin/yang combo if there ever was one, and Marwencol, an intriguing documentary about a man who creates a fantasy world in his backyard. By Justin Marble.
Read MoreJazz songs by composer John Harbison? An ensemble devoted to the music of Björk? A quartet taking over a theatre and breaking the “fourth wall”? Jazz Week 2012 stakes out territory on the permeable boundary where jazz encounters other genres and even other art forms.
Read MoreThe year kicks off with few unusual productions — companies are depending on proven New York hits, such as the Yasmina Reza duo, the Tony award-approved “Red,” and “Green Eyes,” though the Tennessee Williams curio tantalizes.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues