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Imagine a combination of Stephen Colbert (the real one, that is) and John Updike.
Read MoreFew events draw more prognosticators than the Oscars, and the Arts Fuse movie critics join in on the universal guessing game. The trio agree on one thing: the field this year is rich with worthy and fascinating nominees.
Read MoreShannon Bowring is a wonderfully wise and compassionate writer, exquisitely alert to the varieties of human experience that exist at the end of the 20th century.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MorePolish director Krzysztof Kieślowski’s marvel universe explored in Three Colors.
Read MoreIf you find David Cronenberg’s cinematic philosophy on bodily abjection/assimilation and the artistic process intellectually stimulating, then you’re in for an intoxicating return to form from the man whose name is synonymous with the body horror genre.
Read MoreTrumpeter Arturo Sandoval is a big personality and in this performance he was almost as much raconteur, comedian and ringmaster as musician.
Read MoreThe author makes fully human an illness marked by absence and estrangement from humanity.
Read MoreIn Berlin, the closest thing to a consensus on “Kontinental ’25” was that the film didn’t measure up to Romanian director Radu Jude’s customary standards. My view is that the critics didn’t look hard enough.
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Film Anniversary: From Punchline to Plausibility — The 50-Year Transformation of “Soylent Green”
“Soylent Green” should be seen as a work of future history, a docudrama of things that, in 1973, had yet to happen but are happening now, 50 years later.
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