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If your streaming device is re-buffering, or you are tired of watching “Lawrence of Arabia” on your computer, August is a great month to get to a theater. There are some new releases worth seeing, but Boston and vicinity offers some unique opportunities to take in some terrific revivals.
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No spoilers here about what lies beneath the film’s dreamy layers of story, but some viewers will find the narrative pulling them helplessly forward, sucked into a maelstrom of pain and trauma and love and regret and memory.
Read MoreJuly Music/Musica en Julio/Musica em Julho By Thomas Samph With the temperatures peaking into the 90s in New England, here is some pop music that’s meant to be enjoyed in the heat. These acts (with the exception of one) all have their roots in warmer places: Latin music infused with funk and jazz, Spanish electronic…
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This evening is a revelatory experience on race relations, with grief, rage, and the whole business of hope and change.
Read MoreShakespeare & Company’s staging of Merchant of Venice is the strongest this critic has ever seen or could hope to.
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There is real suspense and pathos in this political drama, beneath the standard cinematography and pacing.
Read MoreAlong with the absence of a desk, the fact that guests aren’t coming on in order to plug their latest whatever sets “The Pete Holmes Shows” apart from typical late-night fare.
Read MoreThe members of the Collective seem to have an understanding that their job is to make music that reflects a group identity as well as their individual personalities.
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Indie films of worth made by people with talent are falling into the cracks, and that’s sadly the fate of Out and About, a smart, beautifully shot and acted movie by Peter Callahan.
Read MoreA consumer guide for those who want the low-down on the best of the recent crop of music fundamentalists.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues