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Satoko Fujii’s quartet could go from 0 to 100 at the drop of a hat, but only once in a while, and nearly always at the perfect time.
Read MoreThis is Michelle Dorrance’s break out year, or perhaps more accurately the year people outside the intimate tap community got to know her by sight and reputation.
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The HTC’s Romeo and Juliet may be dressed in modern trappings, but the play’s elemental heart and soul are left fully intact.
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Sunday’s 100-minute show at Crystal Ballroom offered a celebration of what Gang of Four means for its surviving original members and followers alike, including newer generations represented onstage as well as in the packed hall.
Read MoreThe venerable Cantata Singers and Ensemble obviously knows how to throw an epic party. The group is limbering up for its 50th anniversary celebration by taking on J. S. Bach’s monumental Mass in B Mass in B Minor, BWV 232.
Read MoreDirector Steve McQueen’s skillful exploration of troubled human behavior and his use of New York as a psychological landscape make “Shame” off-putting to watch, while at the same time it draws us in. We have no moral compass beyond our own attitudes to ambiguous contemporary sexual mores.
Read MoreAtticus Ross’ success in creating these pieces results in a listening experience quite a bit more harrowing and evocative than the lush and sunny Beach Boys harmonies people are accustomed to.
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Song Machine rejuvenates the band’s core identity; it is the best music Gorillaz has made in a decade.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreIn truth, Three is not much of a play at all, but an anthology of “very special episodes” of an unproduced television or web series.
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Arts Commentary: From the Editor’s Desk — By Popular Demand, 2026