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The thrilling visuals in this documentary about skydiving get some things right, but the film ends up sensationalizing the sport rather than illuminating it. “Adrenaline Rush: The Science of Risk” at the Museum of Science, IMAX, through January 23, 2010. Reviewed by Kate Vander Wiede I started skydiving for a few reasons. The first was…
Jean Epstein’s body of work is full of pleasures and surprises: this vigorous director broke ground for filmmakers and cinematic movements to come.
In “BLACK HOLE,” the TRIBE trio moves as if learning for the first time how their skeletons and muscles are constrained and empowered, perplexed and bedazzled, by gravity’s incontrovertible power.
To be with Larry was to be part of his family. If you passed muster, you were friends for life. And Larry had a LOT of friends….
Watching a historic reality show now takes on a different meaning than it did 20 years ago. Today, our reliance on technology borders on nightmare Ray Bradbury territory, so modern-day folks trying to survive on the frontier looks like an impossibility.
Conductor Robert Treviño celebrates what we might call the dawning of the North American vernacular school; composer Ethan Iverson displays a fascination with instrumental color.
“When I think about blues music, I think about the musicians that came before me and what they had to say, all of those amazing guitar players. They were really playing a form of protest music.”
This is the event’s 48th year, making the Boston Sci-Fi Film Festival the longest running genre festival in the country.
Yto Barrada’s intent in this show is not to warn about environmental catastrophe so much as to explore where culture and the natural world meet.
Film Retrospective: “Floating Clouds … The Cinema of Naruse Mikio” — Dedicated to Women’s Passions
Film scholars, programmers, and the many filmmakers influenced by Naruse Miko value him as having crafted well-rounded portraits of women and their lives across decades of Japanese cultural changes.
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