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The good parts of The Judge make the its missteps more painful to watch.
Read MoreAmerican readers will be intrigued by a language for sexuality that is plain but understated, neither vulgar nor coy.
Read MoreIn India, dosas are cooked on a griddle in the street, as well as in restaurants and homes. As street food goes, the dosa gets high marks. It’s not junk, and it tastes great. The Dosa Factory in Central Square, subtitled “Indian Street Food,” is a hole-in-the-wall–not for an evening of food and talk. But that’s not what street food is. It’s a quick fix, and for these purposes, it’s about as good as it gets.
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Paul Fisher’s back-and-forth tease about John Singer Sargent’s sexuality starts out as intriguing, then becomes distracting, and finally irritating as the biographer never quite closes in on his targets.
Read MoreThis is a fine exercise in arthouse horror — don’t expect elaborate monsters, an orchestral score, or CGI effects.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Our financial establishment is being hijacked in a car driven by a greedy, vengeful man, his industry cronies and a doormat Congress cowering meekly in the back seat.
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Optimistic, a canny survivor, relentless, genderfluid—poet May Swenson described herself as “I am one of those to whom miracles happen.”
Read MoreEisenstein in Guanajuato is another major achievement from the iconoclastic British director Peter Greenaway.
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Arts Remembrance: Lenny Bruce — On the 100th Anniversary of his Birth
Raise a glass to Lenny Bruce, champion for—and martyr to—Americans’ First Amendment right to free speech. October 13, 2025, is the hundredth anniversary of his birth in Mineola, New York.
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