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The Kid With a Bike is a story of grace, compassion, redemption, and of the possibility of goodness in a very difficult and imperfect world.
For the artist Andrae Green, where land and sea meet is not a line, but an immersion.
The opportunity to hear Leoš Janáček’s magnificent score live ultimately trumps any reservations I have about the production as a whole.
Singing the body electric in “De Humani Corporis Fabrica.”
As “Lincoln”‘s end credits roll, you feel vaguely dissatisfied and disappointed that the film never achieves the emotional greatness that it might have in the hands of a different director.
Kelly Reichardt’s cinema gives us slow, rich portraits of life’s daily rhythms, its frustrations and unresolved conflicts.
Saxophonist Gregory Groover Jr, was not initially drawn to spirituals. In fact, as a young person, he found them frightening.
“Mami Wata” beautifully cracks open a world Western eyes either blatantly ignore or seldom get to experience on screen.
Winner of seven Cesars, this mordant portrait of the corrupt Parisian press mid 19th century, along with the commodification of just about everything, speaks loudly to the internet era.
Director Wes Anderson’s “The Grand Budapest Hotel” presents a frenzied feast of lavish and preposterous set pieces, performances, and tall tales.
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