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With each piece, the impressive physicality of Kodō’s drummers becomes even more theatrical.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreJohn Taylor introduces readers to an amazing array of sensibilities and life histories in a babel of languages from an atlas of nations.
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“The Front Room” lacks the suspense and tension of “My Mother the Car” and, on top of that, it doesn’t have the benefit of a super-catchy theme song.
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Ant-Man can no longer call out comic book movies for their bullshit because, as purveyor of prologue for the Marvel movies that will follow, the character is now too irredeemably full of bullshit himself.
Read MoreArts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.
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Once again, the innovative CST/Catalyst Collaborative@MIT project proves that there are inspiring stories of women’s contributions to science that need to be told.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner