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Terri Lyne Carrington, on her home turf (she’s a native Bostonian and holds several positions at Berklee, including being founder and artistic director of the Berklee Institute of Jazz and Gender Justice), augmented her six-piece band with three guests.
Read More“New York Times” Book Critic Dwight Garner makes salient points about the need for incisive criticism, claiming that too much happy talk denies common sense and undercuts credibility. But the ‘gonzo’ masterwork “Fire the Bastards!” hammers the point home much more memorably.
Read MoreThe October highlight for Underground Music is the Homegrown Festival. The 3-day gathering runs on the weekend of October 14 and features a lot of local and national acts.
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The elements of “Urban Nutcracker” have remained the same over the decades: a mix of classical, street, and global dance genres, buoyed by a medley featuring Tchaikovsky and Duke Ellington’s take on Tchaikovsky’s classic score.
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This account of a formidable mother and equally formidable daughter is an absorbing read that packed the memoir form to the gills and demanded my attention.
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Stephen Sondheim’s songs told stories about people just trying to be, sung by characters struggling to make sense of a confusing world, yearning to take the next step. But his intricately structured melodies soared and tiptoed and sauntered and sometimes wisely took the long way home.
Read MoreAmerican Horror Story: Asylum didn’t skimp on the scary; there’s enough disturbing images per episode to satisfy the most discriminating taste in horror.
Read MoreHarold Pinter’s language can be enigmatic and deliberately bizarre, but it suggests arcs of passion and desire.
Read MorePride is poignant celebration of the power of the human element, a carefully layered tale of solidarity.
Read MoreAfter experiencing, in seven days, Monteverdi’s three extant operas and his Vespers of 1610, I am in awe of BEMF and everyone associated with it.
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