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An Arts Fuse regular feature: the arts on stamps of the world.
Grand Horizons at the Gloucester Stage Company is a wild, funny, and sometimes wonderfully touching ride.
A meta-documentary shows us what viewers really want from the genre, and how problematic that can be.
As if the Discovery Ensemble’s impressive return after a three-month hiatus weren’t news enough, last week brought the announcement that Courtney Lewis has been appointed assistant conductor of the New York Philharmonic, beginning this fall.
Matthew Kenney, chef/owner of The Gothic, bills himself as “the world’s leading plant-based chef” — he is on a crusade to remake the future of food.
The women whose voices make up the play’s dialogue are Vermont or New Hampshire residents who have sought medical care at the local VA hospital.
John McLaughlin says that even if audiences haven’t heard Indian music before, they are catching on. “They feel what we feel,” he says. “We’re all walking the tightrope, and audiences follow.”
“The suburbs of Los Angeles are so often neglected in literature and film because they are so seemingly impervious to adoration.”
Arts Commentary: Remembering the Culture Wars of the ’90s
Freedom of expression is a more precious commodity than taste. Conservative critics were very clear about their moral imperative; they confidently vilified artists and terrorized institutions. No one won the culture wars — we lost them.
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