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Arts Fuse critics select the best in music, film, theater, and dance that’s coming up this week.
Anat Gov does a fine job on the meta-playwriting level. “Best Friends” is a genre piece that is also an affectionate commentary on the genre to which it belongs.
By Peter Walsh “There’s a gude time coming.” —Sir Walter Scott, Rob Roy (1817) Americans, always attuned to the prices and classes of commodity, assume that the arts fall into the expensive luxury category: an ornament to good times but destined to wilt, like a hot house orchid, under the cold wind of recession. History…
Arnold Trachtman, Isabelle Higgins, and Barbara Ishikura are all “Boston Modern” artists who never stray far from communicating all-too-human joys and worries.
Touring to support their 20th anniversary CD, 20 Printemps, Le Vent du Nord delivered a master class in musicianship.
Cave In’s new album is more than a return to form — it is a surging breakthrough.
The late Larry Coen was a mainstay in Boston theater.
The Imitation Game is a movie that should have made us angry, but it merely makes us sad.
How much longer can these seventy-somethings climb those stairs?
We are left with a somewhat scattered narrative written in the third person with an omniscient narrator that moves from one inner life to another, sometimes to good effect, and sometimes leaving the reader stranded.
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