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“The Slip” raises issues of race and entitlement, as well as the malleability of identity, all in one big, sloppy, and occasionally gorgeous package.
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Pianist Stewart Goodyear livens up a tried-and-true program with works new and unfamiliar; the husband-and-wife team of Lukas Geniušas and Anna Geniushene survey piano music written on these shores, starting in 1932.
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A trio of varied, high quality jazz releases: “Entre Amigos”, “Strange Times”, and “Three Visitors”.
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Singer Marc Jordan has earned his voice the hard way, trekking through the music business for 50 years, and there’s a weathered honesty in his music now.
Read MoreIn 2002, Iron & Wine debuted with The Creek Drank the Cradle, a brilliant Simon & Garfunkel-meets-Bob Dylan synthesis that caused many to proclaim a folk revival. Since this success, however, I&W’s singer-songwriter Samuel Beam has steadily drifted from his organic folk roots. Kiss Each Other Clean by Iron & Wine. Warner Brothers. By Michela…
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The Finnish conductor’s welcome return to the Boston Symphony Orchestra heralds the kick-off of a two-week festival of Nordic music.
Read MoreCulture Clash’s view of America will discomfort, which is all the more reason that I urge you — strongly — to attend.
Read MoreThere are plenty of classic recordings of the “Siegfried-Idyll” and “Metamorphosen” already, but here’s one more – and it also includes a rollicking Schumann with which you can’t go wrong.
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Film Commentary: “Between the Lines” Eulogizes the Beginning of the End of Boston’s Alt-Weekly Era
Even 42 years ago, disillusionment was setting in among the workers at alt-weekly papers like The Real Paper and The Boston Phoenix.
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