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Film Review: “Hoax_Canular” — Teen Prophets Turn to YouTube to Warn of Doomsday

November 1, 2014
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Hoax_Canular contains many troubling glimpses into private worlds, intimate visions of radical insecurity that are baffling, frightening, and flat-out bizarre.

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Theater Views: Breaking News on Breaking Ground

April 3, 2008
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By Bill Marx The Huntington Theatre Company’s Breaking Ground Festival of new play readings turns five this year. The latest lineup runs through Sunday at the shindig’s venue, the Stanford Calderwood Pavilion at the Boston Center for the Arts. Scripts by Melinda Lopez, Ken Urban, Mat Smart and Nathan Louis Jackson, as well as a…

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Film Review: “Evil Does Not Exist” — A Slow-Mo Eco Drama

May 11, 2024
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Ryusuke Hamaguchi’s latest film is consciously frozen paced to the point of parody.

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Visual Arts Feature: Museum Hopping Through Europe

March 25, 2012
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The Fuse’s man in Europe is a museum junkie. During the second half of 2011, he got to lots of new destinations, and he found new museums almost everywhere he went. This installment is about Finland, Estonia, Latvia and Belgium.

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The Arts on the Stamps of the World — May 9

May 9, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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The Arts on Stamps of the World — September 7

September 7, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Poetry Review: Marcia Karp’s “If By Song” — Verse Passionate and Unruly

May 20, 2021
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This is a volume filled with complex pleasures and pains, assembled with purpose.

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Music Review: Having an Aimee Mann Christmas

December 11, 2014
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For those of us who love Christmas music, Aimee Mann and company showed how to do it right: a lot of lovely songs and festive spirits, not a lot of sticky sentiment.

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Dance Review: Hubbard Street Dance Chicago Comes to Boston — Sensorial Satiation

April 24, 2016
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The latest show from the superb Hubbard Street Dance Chicago had something for all of the senses.

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Book Review: Julian Assange Trades Hopes and Fears With Cyberpunks

October 25, 2013
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Any book in which the fourth sentence is “The world is not sliding, but galloping into a new transnational dystopia” runs the risk of overstating its case from the get-go.

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