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Book Review: Herbert Huncke — The “American Hipster” Who Influenced The Beat Movement

September 11, 2013
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Hilary Holladay’s biography of Herbert Huncke provides valuable insight into a person and world that were begging to be explored.

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Weekly Feature: Poetry at The Arts Fuse

August 10, 2023
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This week’s poem — Jennifer Jean’s “Wild Orca Family Chased Down by Jet-skiers Wanting Selfies”

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Film Review: “Hale County This Morning, This Evening” — A Beautiful Day

September 7, 2018
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The genius of this film is that no preaching is necessary; it makes its political point in an apolitical way, an art film that is, incidentally, didactic.

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Music Commentary: Remembering the Resonant Indie Pop of Sawyer

October 25, 2020
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It should be no surprise that Sawyer seeks and finds new sounds on Less Than More Than. The EP is a deep dive into synth-driven pop that expands on the band’s philosophy.

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The Arts on the Stamps of the World — February 20

February 20, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Film Review: “The American Sector” — Meditating on Displaced Fragments of History

February 15, 2021
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Over 75 segments from the Berlin Wall have found their way to the U.S., providing the subject for The American Sector, an amusing, quirky, and meditative road-trip/scavenger hunt.

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Theater Feature: The Robust Art of Staged Readings in The Berkshires

August 6, 2013
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Staged readings are a win-win situation for everyone concerned.

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Film Review: “The Chaperone” — Smothered in the Spiffy

April 16, 2019
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The Chaperone plays like a sanitized look at female independence and sexual desire for the prudish over-50s crowd.

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Film Review: “She Dies Tomorrow” — Sudden Carpe Diem

August 1, 2020
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She Dies Tomorrow marries the avant-garde with slice of life, jumping from death throes to conversations about dolphin sex over full glasses of red wine.

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Musician Interview: “Terry Gibbs Plays Jewish Melodies In Jazztime” turns 60

December 29, 2023
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The album’s explicit mix of modern jazz and klezmer set a template that is still being used by many of today’s most prominent Jewish music experimentalists.

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