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The Arts on the Stamps of the World — June 15

June 15, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

Weekly Feature: Poetry at The Arts Fuse

August 10, 2023
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This week’s poem — Jennifer Jean’s “Wild Orca Family Chased Down by Jet-skiers Wanting Selfies”

Book Review: “Les Diaboliques” — An Essential Hidden Dimension in French Literature

January 31, 2016
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In “Les Diaboliques” readers must expect quite a lot of crime and some misogyny as well.

Film Review: “Archie’s Betty” — A Charming Documentary about Comic Book Americana

June 11, 2015
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Here is a terrific documentary that will appeal to people who grew up in the mid-20th century and also their children and grandchildren.

Coming Attractions: September 10 through 25 — What Will Light Your Fire

September 10, 2023
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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.

Movie Review: Bobby Fischer Against the World

May 4, 2011
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The Bobby Fischer that the documentary portrays is both a creature of the Cold War era, shouldering that burden, and a peculiarly American hero. It airs this Monday, June 6, on HBO Bobby Fischer Against the World. Directed by Liz Garbus. By Harvey Blume ( Also in The Arts Fuse: Harvey Blume’s thoughts on Fischer’s…

Film Review: “Transit” — Europe’s Unburied Past

March 15, 2019
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In Transit, Christian Petzold explores why the ghosts of Europe’s troubled past are stirring once more.

Film Review: “Hale County This Morning, This Evening” — A Beautiful Day

September 7, 2018
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The genius of this film is that no preaching is necessary; it makes its political point in an apolitical way, an art film that is, incidentally, didactic.

Book Review: Herbert Huncke — The “American Hipster” Who Influenced The Beat Movement

September 11, 2013
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Hilary Holladay’s biography of Herbert Huncke provides valuable insight into a person and world that were begging to be explored.

Book Review: “Rapture” — Modernism, Daredevil Style

May 21, 2017
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Rapture is a worthwhile curio that grapples, entertainingly, with Modernism’s artistic, structural, and revolutionary quandaries.

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