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Homophobia may not have been behind Freddie Mercury’s decision to keep the location of his ashes a secret, but it hardly ruins Mercury’s Ashes.
Despite a slow first half, “The Devil on Trial” picks up speed and suggests that the truth can be more infuriating than fiction.
Radiating a shaman-like mysteriousness, Maria Schneider prowled the performance space, calling forth dark twists and turns from the collective while summoning anguished expressions from the soloist.
It is refreshing to encounter a script that is so determined to keep audiences off-kilter as it goes about undercutting domestic business as usual.
As the age of COVID-19 wanes, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
Lindsay Lohan is prostituting herself to a dreary vision of a Tinseltown shorn of even flickers of glory. And I like that.
Magos Herrera teamed up with the Brooklyn Rider string quartet to create a collection of music that makes its case for life, love, and liberation through its sheer beauty.
The first three films I watched at SXSW this year were picked by me with the editors in mind. Not coincidentally, the editors also had pedigreed Massachusetts roots.
Shrill picks up narrative strength once we see Annie slowly come to terms with the yawning gap between who she is and who she has been told to be by her family, her friends, and society at large.
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