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I Called Him Morgan has been lauded as one of the best films of the year, and rightfully so.
Read MoreLindsay Lohan is prostituting herself to a dreary vision of a Tinseltown shorn of even flickers of glory. And I like that.
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This week’s poem: DeWitt Henry’s “From the Horse’s Mouth”
Read MoreHomophobia may not have been behind Freddie Mercury’s decision to keep the location of his ashes a secret, but it hardly ruins Mercury’s Ashes.
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Despite a slow first half, “The Devil on Trial” picks up speed and suggests that the truth can be more infuriating than fiction.
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Radiating a shaman-like mysteriousness, Maria Schneider prowled the performance space, calling forth dark twists and turns from the collective while summoning anguished expressions from the soloist.
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It is refreshing to encounter a script that is so determined to keep audiences off-kilter as it goes about undercutting domestic business as usual.
Read MoreArts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
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As the age of COVID-19 wanes, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
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Book Review: “Unfinished” Argues for AI as an Artistic Partner — But at What Cost?