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Like me, Phyllis Rose frets about the zillion fine books out there that nobody bothers with. Why their neglect? She reasons that it’s because no one pedigreed has championed them.
Comes Love was Sheila Jordan’s first full recording session as a leader, and it automatically becomes a collector’s item for those who love the legendary jazz singer’s work.
One of the Art Fuse‘s music reviewers, Deanna Costa has a lot to say about this year’s Grammys awards.
For Benjamin Zander and his musicians – as for all of us – it was a strange, even desperate, several months.
ONE HUNDRED NAMES FOR LOVE is an intermittently engaging and very useful book for millions of partners, parents, children, friends and caretakers of stroke victims as well as anyone else interested in the workings of the mind.
This is a great work, more linear than Tom Stoppard’s earlier dramas, yet filled with such intelligence and compassion that it will be read and seen for years and years and, perhaps, over time be regarded as his richest, most haunting play.
Move over Patrick Bateman, there’s a new axe-wielding psychopath for impressionable young cinephiles to project themselves onto in town.
Terraferma is well-meaning, properly on the side of human rights, but also schematic and thematically heavy-handed.
Here are some wonderful offerings to get you through the gloomy months ahead, including under-sung and under-seen horror baubles that you may have missed.
Cultural Commentary: Time for Arts Groups, Large and Small, to Display Some Bona Fide Irreverence
The question before arts organizations and companies is the same one that looms over the rest of us: will they—can they—act before it’s too late?
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