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“My condition was like that of a man who has fired a gun at people he dislikes, and finds these same people coming and giving three cheers for him: inadvertently he had been firing loaves of bread. – Bertolt Brecht, “Drums in the Night’s Success With the Bourgeoisie” By Bill Marx Granted, some of Brecht’s…
Despite the pain of inhabiting Alexander Herzog’s disintegrating world, I absolutely could not put My Marriage aside.
Despite this, he is vexed by how the play draws out the anti-Semitism of English audiences
Reviewed By Caldwell Titcomb The Boston Lyric Opera (BLO) initiated this week what it calls Opera Annex by moving out of its usual venue for its production of Benjamin Britten’s opera The Turn of the Screw. The site chosen was the Park Plaza Castle, built in 1891 as a Boston armory.
Arts Fuse critics select the best in theater, visual arts, film, music, author events, and dance for the coming week.
There are moments in Hideous Progeny (especially early in the second half) that grip and move the audience. But there are not enough of them. I dare this gifted troupe of theater makers to be more inventive, take greater risks, and live up to their so obvious promise. Hideous Progeny by Emily Dendinger. Staged by…
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Life Commentary: A Cultural Journalist Dealing with Cancer During Covid
It’s never a good time to be diagnosed with cancer, but June 10th, 2020, was among the worst. By that day, 7,454 people had died of COVID-19 in my state of Massachusetts.
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